Showing posts with label Harrison Ford. Show all posts
Showing posts with label Harrison Ford. Show all posts

Thursday, May 10, 2012

Working Girl (1988)

#91 on Passions, #87 on Cheers
Oh the 80s.  The shoulder pads.  The overly big hair. So ugly, yet so endearing.  Working Girl is a good example of the fashions of this time, plus it highlights a woman trying to make it in the workforce, and having a brain in her head while still being able to have some fun.

Seriously. Just look at the trailer to see what we are dealing with:


Melanie Griffith plays Tess, a secretary who is taking business classes trying to work her way up in the world. After leaving her job with her pigheaded male coworkers, she is assigned to work for Katharine Parker (played ever so snottily by Sigourney Weaver) who presents herself not as a boss, but as a sort of peer. Of course, Katharine says this, and then treats Tess like a servant. When Katharine tries to steal a business idea that Tess has, Tess gets in touch with Jack Trainer (Harrison Ford in one of my favorite roles of his. Seriously, if you only know him as an action star, watch this.) to help her pull off the idea.  Deception and some hijinks ensue (like crashing an ugly 80s wedding!), and of course there is tons and tons of horrendous 80s fashion and hairstyles. Note: its not all bad, but it is just SO 80s.  Alec Baldwin and Joan Cusack help to round out the cast, and give us some of the typical 80s looks that we would all expect. 

Random: The main song in the film is "Let the River Run" by Carly Simon.  The womens choir sang this when I was in high school. I kind of hated that song then.  I kind of still hate it now. I don't find it to be that thrilling as songs go, but it won all kinds of awards, so maybe I just don't know what I'm talking about. But I really do hate it. Mind you, this does not stop me from singing along if I can recall the words….

Favorite Quote:
Cyn: Sometimes I sing and dance around the house in my underwear. Doesn't make me Madonna. Never will.

Tuesday, April 17, 2012

Raiders of the Lost Ark (1981)


#60 on Original, #66 on Anniversary, and #10 on Thrills

I’m having a Harrison Ford movie week.  It started when I made the discovery about myself that if I find “Air Force One” on the TV, I can not turn it off.  Apparently for me, it is just one of those movies.   I continued with the original Star Wars trilogy, and then ventured off to a newer Ford film, “Morning Glory”.  From there, I’ve gotten to the film that this entry is about, “Raiders of the Lost Ark”. 

I forgot how creepy parts of this film can be, when snakes are coming out of corpses in particular.   Also, a revelation from writing this blog, I guess I have kind of always thought of this as a semi-creepy film.  I think this is a hazard of first seeing the film when I was VERY little, and then not seeing it again until I was much older.  What can I say, first impressions die hard. 

And this was a great film to give a viewer a first impression of Indiana Jones: daring, intelligent, and adventurous.  I find it funny how almost timid he comes across when he is teaching a class, and how much of a badass he is when he is looking for an archeological treasure.   Sometimes environment really does affect your personality.   One of the things I like about Jones, and a lot of the characters Harrison Ford seems to play, they are flawed heroes.  Indiana does gets shot and screws up sometimes.  Han Solo does have issues with his ship and ends up trapped by Jabba the Hut.  These characters are not perfect, and that is what makes them the every-person kind of hero.

The score for this film is awesome, as it usually is with pretty much anything John Williams works on.  Just hearing the classic music piece, “Raiders March” or as we all probably call it, Indiana Jones’ Theme, invokes thoughts of daring and adventure.  

The character of Marion Ravenwood is something of a conundrum for me.  Sometimes she is totally self sufficient and fighting and protecting herself, and other times, she is screaming her head off as a damsel in distress.  I guess if you put it in the context of when the story is set, 1936, then it kind of makes sense.  But I want her to be so much cooler than she actually comes across.  Also, she had to run around for a good chunk of this film with no shoes on. What is up with that?

I’ve always said that the easiest way to get a villain into your film without having to give any explanation for why they are evil is to have the bad guys be Nazis. The writers actually noticed this very late into filming, and there ends up being only one reference to the Jewish people and the Nazi’s hatred for them in the whole film, and it doesn’t come until the film is near the end.

Favorite Quote
Marion: You're not the man I knew ten years ago.
Indiana: It's not the years, honey, it's the mileage.